LA Film Forum Logo

Los Angeles Filmforum is the longest-running organization in Southern California dedicated exclusively to the ongoing, non-commercial exhibition of independent, experimental, and progressive media art.

Filmforum is proud to be in the center of the cultural programming of a city with a rich history of avant-garde filmmaking and programming. Now in our 48th year, we celebrate personal, hand-crafted and non-commercial work. Read more about our various programs, purchase tickets for upcoming screenings, explore our archives, or learn more about volunteering or making a tax-deductible donation on our website! 

Newt Leaders Still

Newt Leaders, by Amy Halpern

Upcoming Screenings

  • Cecelia Condit by Mark Escribano

    Suburbs of Eden: The Films of Cecelia Condit

    Date: Nov 20, 2024 7:00PM
    Location: Philosophical Research Society

    The first LA retrospective of the works of video artist Cecelia Condit – co-presented by Los Angeles Filmforum and co-hosted by JJ Stratford.  This very special program features seven of Condit’s singular films, including her first five shot-on-video shorts spanning 1981 to 1996, as well as two more recent works, and will be co-hosted by LA based video artist Jennifer Juniper (JJ) Stratford – a huge fan of Condit’s who will join the filmmaker (beaming in via Zoom) in conversation for a post-screening Q&A!

  • Proteus: A Nineteenth Century Vision

    Experimentations 8.33: David Lebrun: Proteus

    Date: Nov 24, 2024 3:00PM
    Location: Billy Wilder Theater at the Hammer Museum

    Experimentations: Imag(in)ing Knowledge in Film, Program 8.33.  Filmforum is community partner for two screenings of works by David Lebrun at UCLA that also fit in our series Experimentations: Imag(in)ing Knowledge in Film.  From the hippie counterculture of the 1960s to Tibetan and Mayan mythologies, Lebrun seeks cinematic forms that draw out the radical specificity of his subjects while simultaneously revealing their interconnectedness across time and place. Proteus centers on the fascinating life and career of 19th century German naturalist Ernst Haeckel and his obsession with radiolarians, a species of microscopic marine protozoa. 

  • Transfigurations

    Experimentations 8.67: David Lebrun: Transfigurations: Reanimating the Past

    Date: Nov 24, 2024 7:00PM
    Location: Billy Wilder Theater at the Hammer Museum

    Experimentations: Imag(in)ing Knowledge in Film, Program 8.67.  David Lebrun’s latest project is a large-scale, multi-year work in progress to create a transformative encounter between the present and the past through an immersive experience with change itself. Beginning with high-resolution images of artifacts, art objects and architectural details from different eras and photographed at various sites around the world, including museums, churches and temples, Lebrun animates the changes in their forms across millennia. The results are an awe-inspiring tour of human ingenuity, imagination, belief and craft as it expressed itself from the Paleolithic period through the Middle Ages, and from Mesoamerica to Europe, the Middle East and Indian Asia. 

  • The Tree House

    Earthly Visions: The Tree House

    Date: Dec 6, 2024 7:30PM
    Location: The Billy Wilder Theater at the Hammer Museum

    Part of Science Fiction Against the Margins.  This program’s films are documents of the Earth at its current stage mixed with dystopian speculations on the future. Moving through green spaces, caves and mountains, they remind us of the fragile rock that houses us, and that we must tend to in order to avoid catastrophic consequences.

  • Photo by Robert Mearns Yerkes of one of his experimental subjects

    Experimentations 9: Should We Look at Animals?

    Date: Dec 8, 2024 3:00PM
    Location: 2220 Arts + Archives

    Experimentations: Imag(in)ing Knowledge in Film, Program 9.  Should We Look at Animals?: The Perils and Pleasures of Nonfiction Animal Films.  Comparisons between humans and animals are foundational to the experimental branches of medicine and psychology.  Often treated as purely transparent scientific recordings, the films produced out of animal research are in fact deeply formalist works that tested what film could capture through the image of an animal—variously proposing that they could visualize pure thought, the processes of history and culture, and the influence of the environment on an organism. With special guest Benjamin Schultz-Figueroa from Seattle.