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Bruce Baillie: Two Nights of 16mm Treasures - Sunday

Bruce Baillie: Two Nights of 16mm Treasures - Sunday

Castro Street, by Bruce Baillie

Sunday, November 3, 2013, 7::00 pm and Monday, November 4, 201, 8:30 pm

REDCAT and Los Angeles Filmforum present

Bruce Baillie: Two Nights of 16mm Treasures

Tickets are $10 general; $8 for REDCAT and Filmforum Members and students; $5 for CalArts Students/Faculty/Staff, at https://web.ovationtix.com/trs/pr/928229

Follow the link above to purchase tickets online or call the REDCAT box office at 213-237-2800.

More details at http://www.redcat.org/event/bruce-baillie

“A metaphysical poet of film’s postwar avant-garde.”
—Artforum

In Person: Bruce Baillie

Bruce Baillie is one of the great figures in American avant-garde filmmaking. Since 1960, he has produced a body of films unsurpassed for their lyrical sensuality, expressive honesty and formal inventiveness. An artist and film visionary, Baillie founded Canyon Cinema in collaboration with Chick Strand in 1961, and influenced generations of filmmakers and experimental artists, ranging from George Lucas to Jennifer Reeves to Apichatpong Weerasethakul. Two nights of rarely projected, beautiful 16mm films celebrate Baillie’s artistry with vintage prints and the premiere of a previously unreleased work. Sunday’s screening features Here I Am (1962), Tung (1966), All My Life (1966), Castro Street (1966), Valentin de las Sierras (1968), Little Girl (1966, premiere, preserved by the Academy Film Archive), and others. Monday’s program includes Quick Billy (1970, 60 min.), an ode to both Eastern philosophy and “horse operas,” plus other rare, later films.

Jack H. Skirball Series

Curated by Steve Anker and Bérénice Reynaud

 

Castro Street

Castro Street

by Bruce Baillie (1966, 16mm)

Here I Am

by Bruce Baillie (1962, 16mm)

Tung

by Bruce Baillie (1966, 16mm)

All My Life

by Bruce Baillie (1966, 16mm, color, sound)

Valentin de las Sierras

by Bruce Baillie (1968, 16mm)

Little Girl

by Bruce Baillie (1966, 16mm, premiere, preserved by the Academy Film Archive)